Monday, 27 September 2010

Celebrating the work of John Singer Sargent in London & the Cotswold Village of Broadway

By:  Blue Badge Tour Guide - Anne Bartlett

John Singer Sargent (1856 – 1925)

I have just returned from London having seen the latest art exhibition at The Royal Academy in London entitled Sargent and the Sea. It was interesting to view American expatriate John Singer Sargent’s very early work undertaken when he was between the ages of 18 and 23.

Coming from a seafaring family, the sea was in his blood. Sargent spent much time on the coast and he sailed on steam ships crossing the ocean between America and Europe.

His experiments with painting the different moods of the sea from sheltered waters with waves glinting in the sun and gently splashing rocks, to fearsome storms and rolling seas was impressive but not totally accomplished. His painting “Atlantic Storm” painted in 1876 whilst on the stern of a ship shows huge irregular dark menacing waves with flumes of iridescent white water was cleverly executed. The threatening sky with rays of light breaking behind the clouds captures a moment very well. The zig zag luminescent wake of the ship as it’s lifted out of the trough and up over a wave into another trough is inspired and gives the viewer a sense of fear in a dangerous situation. The standpoint on the stern of a ship involves the viewer in the sea crossing; however the perspective of the ship is confusing.

Sargent’s love of painting fishing boats is evident and there are plenty of detailed sketches of sails and rigging. With his “En Route pour la peche” and “Fishing for Oysters at Cancale” he captures a moment in time. Women, wearing long skirts and aprons with shawls around their shoulders are walking and talking together as they carry their empty baskets down to the sea to collect fish. The reflections in the wet sand prepares the viewer for the hard work that the women are about to undertake in the chill of the sea breeze. A small boy in the group stops to turn up his trousers to prevent them getting wet, under the caring gaze of his mother.

I’m familiar with Sargent’s later work, his famous portrait paintings of English Aristocrats. At Blenheim Palace in the Red Drawing Room for example, there is the famous family painting of the 9th Duke of Marlborough, his wife, American born Consuelo Vanderbilt and their two sons painted in 1905 which is always mentioned by the room guides during a tour through the state rooms.

However the route from landscapes and seascapes to portraiture involved a scandal in Paris with Sargent arriving in London to escape humiliation and a wrecked career. He had persuaded society beauty Madame Gautreau, otherwise known as Madame X, to sit for him. She posed for him in a revealing black satin gown with thin jewelled shoulder straps, one of which had fallen off the shoulder. It was a very daring and suggestive stance which, when the salon opened for viewing, the visitors were shocked and consequently the reviews were very negative.

Shocked, ill and uninspired to ever paint again he was gently nursed back to health and encouraged to take up his paint brushes again by his friends, Edwin Abbey, Frank and Lily Millet, Alfred Parsons, Frederick and Alice Barnard, American actress Mary Anderson and her husband Antonio Navarro.

Summers were spent enjoying the picturesque rural charm of the attractive Cotswold village of Broadway. Frank Millet and his family rented Farnham House alongside the village green, then the following year they took Russell House and also acquired Abbots Grange a derelict monastic building which had a two storey barn in the garden which they converted to a studio. Edwin Abbey and Frank Millet painted inside, Henry James and Edmund Gosse wrote in the rooms upstairs and  John Sargent and Alfred Parsons painted en plein air just outside. They were all able to talk to one another as they worked.

They were a fun loving, laid-back Bohemian group who spent their mornings working on their projects, followed by games of tennis and afternoon tea, then music and dancing or games in the evenings. Nothing was too outrageous or shocking for them, even the local villagers dismissed their antics by saying “Them Americans is out again!”

In 1885 the idea of capturing the evening light as the sun set, together with the artificial light emanating from the Japanese lanterns that the two girls are holding, excited the friends. They encouraged Sargent to paint his picture which we now know as Carnation, Lily, Lily Rose as the sun was setting. He painted whilst the light lasted, which was for about ten minutes each evening. The painting took two years to complete, but the result is sensational.

Saturday, 11 September 2010

A walk to find a grade 1 listed church, a bee shelter and some hard pears

By:  Blue Badge Tour Guide - Anne Bartlett

Most people have heard of Hartpury Agricultural College which is about 5 miles north of Gloucester and has an international reputation for its range of farming related courses. So today I’m going to recommend a circular walk from the village of Hartpury, starting at the Village Hall.

Walk along Danesford Lane, then take the path through the fields in the direction of the village church where there is an interesting collection of historic buildings to discover, and some fine views to enjoy.

The name Hartpury is probably a derivation from a Saxon name for the village sounding something like Hardipiry meaning hard pear. In the church yard there’s a collection of pear trees that grow inedible fruit but which produce a surprising amount of juice that makes the most delicious drink called Perry. I understand that there are over 100 different perry pear varieties in Gloucestershire with the most amazing names: such as Merrylegs; Mumblehead; Lumberskull; Drunkers and of course Stinking Bishop. made famous by the cheese that’s washed in perry pear juice, and so enjoyed by Wallace and Gromit

St Mary’s Church is listed as grade 1 which shows that it is of exceptional interest. It dates back to Norman times, with many alterations in the 14th century including the addition of its tower.

In the churchyard is a very special beehive. It’s not your ordinary beehive, its more like a 4 star bee hotel which, I hasten to add is completely unoccupied. It has 28 identical “rooms” and five extra in the basement and would, “when in business” have housed 33 working skeps or coiled straw hives that were used by bee keepers before wooden hives were invented.

This bee shelter as it’s called, is quite unique, was made in Gloucestershire and curiously has links with the houses of Parliament.

The shelter is a 19th century stone building which was found in a garden in Nailsworth and was restored in 1968, before arriving in the churchyard behind Hartpury church and is now under the care of their historic buildings trust.

Why has it links with The Houses of Parliament? – well the mason and quarry owner Paul Tuffley who lived at Nailsworth supplied the stone to architect Charles Barry’s senior mason who supervised all the sculpture work . So the same Cotswold stone that was used to make this bee shelter is in the interior of the new houses of parliament.

Honey seems to have been used as a currency here at Hartpury, because Gloucester Abbey, who owned the land, leased it, in return for an annual payment of 24lbs of honey. Honey in medieval times was used to sweeten food and to make the alcoholic beverage Mead.

There’s a restored chapel to see, originally built by nuns who came to England having escaped from the French Revolutionary forces that invaded Brussels in 1793. They lived at Hartpury Court for 45 years and occupied themselves with farming, building the chapel and they also ran a school for girls between the ages of 6 and 12 years old.
Before you leave here look at the roof of the 15th century tithe barn. It has a carved stone Welsh dragon at one end looking in an easterly direction towards England and a stone carved English Lion looking the other way over towards Wales.

A short walk down the road takes you to view a very attractive 18th century watermill built of soft red brick standing alongside the River Leadon.

I hope that you’ve enjoyed this interesting stop. From here you can head back to Danford Lane or head on towards Hartpury College which you will see in the distance or turn right and go south towards the River Leadon and follow it to Barbers Bridge or Rudford.

Hartpury Parish Council have produced a leaflet containing information about all the walks around their parish and there is further information on their website.

Exploring May Hill, Gloucestershire

The top knot of trees on top of May Hill
May Hill is such a distinctive landmark for miles around but the nearer you get to it the less of the outline you see. I say that, because I was showing a new radio presenter around the Cotswolds.  She had moved to the Forest of Dean six months earlier and had taken many walks over May Hill and interviewed local people there, but when we were driving around the Cotswolds I pointed out May Hill and her surprise at its distinctiveness made me realise that it is best viewed from a long way away and once seen, never forgotten. 

If you want to climb May Hill, it isn't easy to find. To get there turn right off the A40 Gloucester to Ross-on-Wye Road towards Clifford Mense passing the Glasshouse on the way. Turn left by the Yew Tree Pub and drive half way up the hill and there is a small car park on the right.

Marcle Ridge with transmitter mast
in the middle of the picture
From the car park you get glorious views across the Herefordshire countryside. You can see the Ridge Hill transmitter at Marcle Ridge straight ahead.  Then over to the left, the Welsh borders and the Black Mountains. On a clear day you can see a conical hill called The Sugar Loaf which is in the Brecon Beacons near to the town of Abergavenny. You can also see a promontory called Hay Bluff, a great wedge at the northern end of the Welsh Mountains which is close to Hay on Wye.  Way over to the right are the Malvern Hills which act as the boundary between Herefordshire and Worcestershire.

The western side of the Malvern Hills
The lower slopes of May Hill are wooded, then as you get nearer the summit there's grassland and gorse bushes. A herd of ponies graze the hill which stops the vegetation taking over. There is the distinctive clump of trees at the summit and information as to when and why the trees were planted there. The taller trees were planted in 1887 to mark the Queen Victoria’s Golden Jubilee, the younger trees were planted in 1977 to mark Queen Elizabeth’s Silver Jubilee.


The view from the other side of the hill is across the Severn Plain with the Cotswold escarpment in the distance. The lower reaches of the River Severn cuts through the middle of the view with the great horse shoe bend around Arlingham and it takes its very zig zag route towards the bridges which are sadly out of sight. You can probably just see the wetlands at Slimbridge.

Tour and Explore Bredon Village, Worcestershire

By:  Blue Badge Tour Guide - Anne Bartlett
When you pass the M50 motorway travelling south on the M5 towards the county of Gloucestershire, you pass Bredon Hill on the left, and then see the tall slender spire of Bredon church with the backdrop of the Cotswold escarpment behind.
St Giles Church Bredon
Alongside the church you can just make out the end wall of the medieval tithe barn and then you see the River Avon which flows alongside the village and flows under the motorway towards Tewkesbury where it joins the River Severn. It’s a very picturesque and welcoming sight.

I recommend a wander around this historic village to explore the ancient church, the medieval barn and enjoy the view across the river Avon. For anyone who has read local author, John Moore’s novels, Bredon is in fact, the fictional Brensham Village.

A Norman Porch and doorway
Bredon was well developed by the 8th century and a Saxon Monastery was built, however it was apparently sacked and destroyed by the Vikings who came up the river and raided a number of villages around Bredon Hill. The church, which one sees from the motorway, is over 800 years old having been built by the Normans in the late 12th century, there are also later additions to the church and it has a lot of interesting features, the spire was added in the 14th century.

The beautiful Old Rectory dates back to the 15th century and can be seen behind the brick wall of the graveyard alongside the church. The roof of the Rectory is interesting as there are two mounted stone figures on top, one at each end. One is said to be King Charles II and the other is said to be Oliver Cromwell, two bitter enemies, and local tradition states that if ever the two meet, it will be the end of the world.

In the grounds of Manor Farm is a 14th century medieval barn which is huge, and is in the care of the National Trust. It hit the headlines in 1980 after bales of hay caught fire and the building was almost destroyed, however it has been very well restored and for an empty building it is well worth a look. There are steps up to what is called the Reeve’s Chamber, a room which overlooks the barn where records were kept of the tithes owed by the tenant farmers of the Manor. Interestingly there is a square pit in the corner which drops down to below the ground floor level and it is thought that this is where the defaulters were lowered if they couldn’t pay their dues - Punishment was very harsh in those days. There are slits in the walls of the barn for ventilation and also spaces for birds to come and go. There’s plenty of evidence and noise that it is well used by the local pigeons.
A wander down Dock Lane takes you to the riverside. And there’s a recreation ground with seats and benches where you can enjoy the riverside setting and watch the boats chug up and down this lovely river which started near Naseby in Northamptonshire and has travelled nearly 90 miles passing Warwick Castle, Stratford-Upon-Avon, Evesham and Pershore as it passes Bredon Village on its way to the sea.



For guided group coach tours around Worcestershire and The Malverns

Sunday, 29 August 2010

A Restored Hunting Lodge in Gloucestershire

By:  Blue Badge Tour Guide - Anne Bartlett

There’s an intriguing historic house in the South Cotswolds which has an incredible story, I wonder whether you can identify it, as I tell you how this building was saved from destruction, then opened to the public in 1984 as a visitor attraction.

The house, surrounded by 700 acres of park land, was originally a hunting lodge built in the 16th century. Over the years with additions and alterations the building was converted into a very fine house. In 1949 the house and land was gifted to the National Trust by a Mrs Power Clutterbuck as a memorial to her only son and heir James who was killed in action during the 1st World War.

Money to maintain the house was not available in those days so the property was let to a variety of tenants over the next few years to provide income for the Trust, but the upkeep was neglected and by 1970 the house was empty and in a very sad state.

The cost of repair was going to be so expensive that a decision was reached to take the roof off this very gloomy and ghostly empty building, make it uninhabitable, and leave it as a ruin on the landscape.

Fortunately, Robert Parsons, an American architect and lover of England’s historic buildings was keen to settle in England, and heard about the dilapidated house.

He met with the National Trust, negotiated a very tiny rent, signed a repairing lease and using his own money, time, energy and expertise, moved in and set about restoring the house and the 7 acres of gardens that once surrounded it.

The restoration work is really impressive and, if you haven’t already guessed, the place I’m talking about, is Newark Park, Ozleworth nr Wotton-Under-Edge. It’s now considered an important Cotswold architectural gem and has been given a grade 1 listing.

Robert Parsons who left us this great legacy, died a few years ago, but fortunately his friend and colleague, continues the work with as much commitment and dedication.

The house, now a lovely home, is very interesting. The views from the garden room are probably some of the finest in the county, with a 50 mile sweep from the Marlborough Downs in the east to the Mendips in the West. The landscape of Wiltshire and Somerset that can be seen from the window probably hasn’t altered much in hundreds of years, even the conurbation of Bristol is hidden behind trees and there are no blots on the landscape like roads and power lines to spoil the effect.

The rediscovered 18th century landscaped garden can be enjoyed complete with carp pond, 18th century summerhouse castle folly and carriage drive.

As well as the house and garden, there’s a picnic area beyond the car park. and there are 3 different walks through the surrounding parkland that link with the Cotswold Way. Newark Park is open for the season on Wednesdays, Thursdays, Saturdays & Sundays from 11 o’clock in the morning and closes at 5 o’clock.

Sunday, 22 August 2010

A Cruise Along the Sharpness Canal, Gloucester

By:  Blue Badge Tour Guide - Anne Bartlett

Today I’m going to recommend a sightseeing trip down part of the Sharpness Canal from the Gloucester Waterways museum and back. The journey will be on an historic little ship, which played a very important part in evacuating the British Expeditionary Forces from the beaches of Dunkirk in France during the 2nd World War.

Looking at the pleasure boat with is seats and awning on the top deck and its saloon with tables and chairs below, is doesn’t seem possible that it was able to ply backwards and forwards across the English Channel. But, she was part of a hastily assembled flotilla of about 800 little ships called upon to rescue, in all, about 338,000 stranded British, French and Belgium soldiers from the harbour and beaches of Dunkirk between 27th May and 3rd June 1940.

Queen Boadicea II on its moorings
Called Queen Boadicea II she was built in 1936 as a river boat, operating between Greenwich and Westminster in London, then Kingswear and Dartmouth in Devon before being bought by the Waterways museum to work 74 years later here in Gloucester.

There are a variety of different cruises to take, but the one that my group and I enjoyed was one that operates at least three times daily throughout the summer until October. It’s 45 minute long and took us out of Gloucester Docks and along the Sharpness canal to a place called ‘2 mile bend’, a good turning point where we where able to see a new high level swing bridge built to take the new road, Gloucester’s South Western by pass over the canal.

The skipper told us that before the building of the Sharpness Canal small sailing ships used the River Severn to get to Gloucester but because of tides, sand banks, narrow channels and other hazards it could take 2 weeks to make the journey. A ship canal to bypass the river was started in 1793 but the company went bankrupt after 5 years with only 5 miles of canal having been built. 34 years later, with the help of the great engineer Thomas Telford, the Sharpness canal was finally completed, and when it opened it was the largest and deepest canal in the world.

The ship canal made Gloucester a very important trading centre in the 19th century and was a gateway for waterborne transport to the industrial Midlands. However, during the 20th century, more and more cargo was being transported by the railways, then later by roads and motorways. Warehouses and Industry dependant on the Sharpness canal fell into decline. Today there are big changes taking place alongside the canal and I do recommend a boat trip every now and again for an update on what is happening around Gloucester Docks.


The latest information I have on the departure times for the Queen Boadicea II is 12 0’clock, 1.30 and 2.30 in the afternoon. There are 80 seats on the boat, though it does get very full, and for £4.75 per adult and £3.50 for a child you get a very enjoyable trip as well as an interesting commentary by the Skipper.

For further information it is best to phone 01452 318200 which is the telephone number of the Gloucester Waterways museum.
A day that a replica of the historic ship
The Matthew visited Gloucester Docks

For guided walking tours of Gloucester Docks

For guided group coach tours around Gloucestershire

Contact:  anne@tourandexplore.com

The Rollright Stones, Oxfordshire

By:  Blue Badge Tour Guide  - Anne Bartlett

The Rollright Stones, also known
as The Kings Men
Alongside a busy main road between Moreton-in-Marsh and Chipping Norton there's an ancient 100 foot stone circle known as the Rollright Stones.  They are somewhat hidden behind a hedge in a field, so you have to get out of your car and enter the field to be able to see them, and they are well worth a look. 

Archaeologists reckon that the stones date back to the Bronze Age  (somewhere between 5,500 and 3,500 years ago) and are part of an ancient religious site.

Although they are not as awesome as the Avebury circles and Stonehenge, its nevertheless a privilege to be able to view something as old and as meaningful to our ancestors as a religious site dating back approximately 2,000 years BC.

In a field on the opposite side of the road is a monolith or marker stone, now known as the King Stone, which would have been seen from the stone circle before the hedges were planted.  Also visible across the field from the stone circle, but some way away, is a group of 5 large stones leaning together labelled the Whispering Knights, these stones were probably part of a neolithic burial chamber used by the first farming communities to bury their dead.  I'm really impressed by the antiquity of the Rollright stones however prehistoric stones like these have always been linked  to witchcraft. 
The King Stone

As such, a variety of legends have developed over the years, one of which tells of a King who wanted to rule the whole of England.  When he arrived at this spot with his army he met a witch.  The witch seeing that he was an ambitious ruler thought that she would trick him.  She told him to take seven long strides and, 'If Long Compton though cans't see, King of England though shalt be.'
The Whispering Knights
The King, thinking that the witch was a silly old woman and that the challenge was very easy, strode out saying:  "Stick, stock, stone, as King of England I shall be known."  But when he took the seventh stride he still couldn't see Long Compton.  The witch cackled, "As Long Compton though canst not see, King of England though shalt not be.  Rise up stick, and stand still stone, for King of England though shalt be none.  Thou and thy men hoar stones shall be, and myself an Elden Tree".
A little further on and this is the view
of Long Compton today
Instantly he and his men were turned to stone.  The Whispering Knights who were some way off plotting to overthrow the king when he became ruler of all England, were also turned to stone.

There are a number of other stories but this is the best known one to explain the mystery of the stones being placed here.

For guided coach tours around the Cotswolds
Contact:  anne@tourandexplore
or
See:  http://www.tourandexplore.com/